Like many writers, my two favorite things to do when I’m not writing (or taking care of kids, doing laundry, packing lunches, volunteering with the scouts, helping with homework, working, grocery shopping, vacuuming or driving someone somewhere) are reading and watching movies. Since the Oscars, the Super Bowl for movie fans, are on Sunday, I have been in a movie mood lately.
Here are some thoughts on some of the Oscar-nominated movies I saw this year:
Moneyball—I like baseball and everybody loves and underdog, so this one worked for me. It had just the right balance of baseball and life and Brad Pitt was really, really good in it. The biggest surprise for me was Jonah Hill. His character was the total opposite of the raunchy loud mouths he usually plays. I’m not surprised he got a supporting actor nod (though I don’t think he’ll win). Hubby liked this one, too.
The Help—funny, poignant, educational, this movie was all that and more. I think Viola Davis and Octavia Spencer will win their categories for Best Actress and Best Supporting Actress. Jessica Chastain was also nominated for Best Supporting Actress, but I thought Bryce Dallas Howard was as good or better as the snotty Southern socialite bully whose main goal in life seemed to be passing a law requiring separate toilets for the help. I liked the movie and would watch it again, but I think there was a lot of superfluous stuff that could have been left out so that we could concentrate on the main themes of the movie—the injustice of Jim Crowe era South and how various characters operate in that environment. That’s the danger in adapting a book into a movie, I think. You have time in a book to go off on tangents. That’s tougher to pull off in a movie.
Hugo— If you thought this movie was about a robot who can draw, you’d be wrong. Though this starts out as a children’s mystery/adventure type movie, it ends up being an ode to film itself. I saw this with my kids and they loved it. I thought it was a beautiful movie with many fine performances, (Asa Butterfield, Ben Kingsley) but it felt disjointed to me. The first half was about loss and broken dreams, the second half a complete and unrealistic happy ending and extremely self-indulgent. Don’t get me wrong—I’m a romance writer. I love a happy ending. But I felt it was a little contrived and that the characters didn’t do much to bring it about themselves. There wasn’t a real situation or challenge that made the characters change. This may be again a casualty of the book to film adaptation, although Hugo did receive a Best Adapted Screenplay nomination.
The Descendants—This is hands-down the best movie I saw this year. It was a great story, a great adaptation of the book and had some great acting. And George Clooney. And Hawaii. It’s about family, about secrets and about disconnection—from other people, from oneself, from one’s environment. The story is complete, it flows, it’s balanced. It’s funny and sad and thoughtful. Shailene Woodley was fabulous as the daughter and deserved a nomination. I will definitely be rooting for this one, though I suspect it will not win Best Picture. See this movie anyway. You won’t be sorry.
Midnight in Paris—This one was a head-scratcher for me…until the closing credits when I realized it was a Woody Allen movie. Would it have been nominated if it had a different director’s name attached? Uh, no. Some of the reviews I’ve read talk about how unique and innovative it is, but we in the romance world have been doing time travel for a long, long time. One really fun thing about this movie, though, was seeing all well-known actors playing famous artists and writers (Adrian Brody as Salvadore Dali was hilarious).
The Artist—I would have loved to see this movie, especially since I suspect it will win Best Picture. But unfortunately the only place that plays (artsy) movies in Nashville is across the city in an area I avoid if at all possible because of the traffic and parking situation. The Artist has gotten a ton of good reviews and nominations and there’s a buzz about it that makes me think it will win. Also, it’s a silent film and is black and white—those off beat aspects seem to attract awards. Guess I’ll have to catch it on DVD.
OK, so here are my predictions:
Best Picture: The Artist (though The Descendants deserves it; Hugo has a shot, too)
Actor: George Clooney (or Jean Dujardin from The Artist. I think it’s 50/50)
Supporting Actor: Christopher Plummer
Actress: Viola Davis
Supporting Actress: Octavia Spencer
Animated Film: Chico and Rita
Director: Michel Hazanavicius (The Artist)
Adapted Screenplay : Hugo (though the Descendants deserves it)
Original Screenplay: The Artist
How about you? What was the best movie you saw this year and why did you liKe it?
Bethany







